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・ Francisco Sutil
・ Francisco Suárez
・ Francisco Suárez Dávila
・ Francisco Sá
・ Francisco Sá, Minas Gerais
・ Francisco Sánchez (athlete)
・ Francisco Sánchez (footballer)
・ Francisco Sánchez (swimmer)
・ Francisco Sánchez (volleyball)
・ Francisco Sánchez (wrestler)
・ Francisco Robles Ortega
・ Francisco Rocha
・ Francisco Rodrigues
・ Francisco Rodrigues (Brazilian footballer)
・ Francisco Rodrigues (Portuguese footballer)
Francisco Rodrigues da Silva
・ Francisco Rodrigues Lobo
・ Francisco Rodrigues Saturnino de Brito
・ Francisco Rodriguez (boxer, born 1984)
・ Francisco Rodriguez Zegada
・ Francisco Rodríguez
・ Francisco Rodríguez (boxer, born 1945)
・ Francisco Rodríguez (cyclist, born 1906)
・ Francisco Rodríguez (cyclist, born 1915)
・ Francisco Rodríguez (economist)
・ Francisco Rodríguez (Mexican pitcher)
・ Francisco Rodríguez (President of Panama)
・ Francisco Rodríguez (Venezuelan pitcher)
・ Francisco Rodríguez Araya
・ Francisco Rodríguez Barrientos


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Francisco Rodrigues da Silva : ウィキペディア英語版
Francisco Rodrigues da Silva

Francisco Rodrigues da Silva also known as "Nunca" is a Brazilian artist who uses a graffiti technique to create images that confront modern urban Brazil with its native past. His name Nunca ("Never" in Portuguese) is an affirmation of his determination not to be bound by cultural or psychological constraints.〔http://revistamarieclaire.globo.com/EditoraGlobo/componentes/article/edg_article_print/1,3916,1163949-1740-2,00.html "A força do novo grafite", MarieClaire.Globo.com April 2006 accessed 20.11.2010〕
==Background==

He began his career at the age of 12 as a member of a gang spraying ''pichações'' - crude slogans and tag graffiti - on walls in Itaquera, the poor neighborhood in eastern São Paulo where the family lived. He adopted the tag Nunca to signify a rebellion against psychological and cultural constraints.〔
Three years later, after the family moved to Aclimação, in the south-central part of the city, he made new friends and developed an interest in ''grafite'', a more consciously artistic form. He has described this as a natural progression - he had always liked drawing. He started to produce striking, intensely coloured figures inspired by indigenous Brazilian culture that attracted first local and then foreign attention.〔

Starting to receive invitations to exhibit in Europe he began to paint canvases and produce sculptures, rejecting a more radical stance that would deny him the opportunity to exhibit in galleries. Although enjoying his work on the street he was keen to produce more elaborate work and saw this as another natural progression.〔

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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